Winnipeg Free Press

Winnipeg Free Press (Newspaper) - October 16, 1964, Winnipeg, Manitoba Winnipeg free press Friday october 16, 1964 Joblonski recital music after the broadcast pianist Markk Jalonski a recital thurs Tiluy Elk lit at St. Coll Lluc first in tills reason s Jerimi uses musical he Sej or. Jet Blouske s All Chopin pin Irma contained the bar Carolle Jour from opus 10 and opus 25 mazurkas six of f .ir.1- v us ssi a c . Pm tit to Tumo in a and uni Hoholl. In to minor opus 38. By Ken Winters it was a while before i realized that the excessive no siness of Marek Jablonski s playing thurs Day night was not his fault. At first i thought the Clang Orous resonance was simply the result of inconsiderate banging on a full sized grand piano in a Hall too Small for it. Then i saw the microphone standing so demurely by the open piano top and realized where the mischief Lay. The microphone legitimately there for the use of Marine Benoist who commented on the music had been left switched on to catch the piano sound and convey it to other listeners in skin itch ugly skin blemishes on Taco or body eczema. Pimples. Red scaly itchy in skin and athlete s foot Are of Lockly relieved by Nix Oder. Anilse Cylc action heals helps make skin softer smoother clearer. Your drubs St for my Oder ointment and soap. Help clean Clear and your skin. Better last. Other rooms. Unfortunately it also conveyed it to the auditorium s own loudspeakers which broadcast it to us amplified to crushing proportions. It was Only later in the a Rof Atn when and the outlying deprived that we vere sible to hear or. Jablonski s playing As it was meant to be heard not insensitive super sonic Pound ing after All but playing of considerable Range and finesse. The first two thirds of the program were pretty Well de valued by i ubiquitous . System s dist ans and amplifications but even through these some of or. Jablonski s merits and faults could be discerned. The Nocturne in b was heedlessly Quick and coarsely phrased. On the other hand parts of the problematic opus 44 polonaise were Magister ally projected and the finale of the great b minor sonata had a hot virile brilliancy that owed very Little to electronic Aid. The bar Carolle suffered from amplification executive blemishes were magnified and Deli Cate Points of logic were made to sound like ponderous aggressions. All the same or. Jablon ski s feeling for the grandeur of the work s proportions came across and was obviously to his credit. The studies were hardest hit by the electronic intervention. Molehills of wrong notes became mountains making the the Tain with us in massive final St tidy f Cra opus appear unacceptable rough. And the Limpid aeolian Harp study opus 25 no. 1, which can exist on Only the most delicate diet of sound was burst and killed by the synthetic gorging to which the microphone subjected it. Then the switch was flicked and we heard in their own Fine flesh or. Jablonski s accounts of three mazurkas six preludes and the opus 39 scherzo. The third of the mazurkas went Best i thought. It was allowed its temperament the other two were tamed though in them we heard a sensitivity which the amplifiers had concealed in the previous performances. There were bad moments in the preludes in the easiest of the lot the player s mind Wand ered and he lost track of the notes momentarily. There also were very Good moments culminating in an absolutely stun Ning performance of the piece of the set the dark arid tempestuous opus 28 no. 2-1. This strange marvellous work plumbed the Depths of the pianist s Promise bringing to Light the full Force of his tempera ment and flair for musical dra Matics. Through it in Cecil Luiis Iii found it the kind of involuntary listening silence it always de serves but Only receives when the performance is exceptional. When he is Able to handle the delicate Calm of other Chopin As Well As he handled the storm of this he will be an exponent to reckon with in any company. The scherzo in a Sharp minor gave him More to do in the same vein and he played valiantly but seemed spent. The results were a Little Anticlimactic though impressive enough to predispose the audience to encores. Or. Jablonski thereupon obliged with a kind of Spanish Rondo from Albenzi Iberia i think he said. At any rate it was a splendid piece which i did not know and was delighted to meet. He played it extremely Well i thought. Eye corrections two out of five children in school Are handicapped by in adequate eyesight. Most of these cases Are easily corrected. 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