Winnipeg Free Press (Newspaper) - June 11, 2012, Winnipeg, Manitoba
C M Y K PAGE A4
A 4 WINNIPEG FREE PRESS, MONDAY, JUNE 11, 2012 WINNIPEG winnipegfreepress. com
T HE Winnipeg arts community is mourning
the death of Rachel Browne, the revered
founder of Canada's oldest contemporary
dance company and the beloved matriarch of the
dance scene in Winnipeg.
Browne, 77, died peacefully in her sleep at an
Ottawa hotel on Saturday, said Stephanie Ballard,
her fellow choreographer and friend of 40 years.
The cause of death has not been determined.
Browne was in Ottawa to show support for students
from the School of Contemporary Dancers,
who performed at the Canada Dance Festival on
Saturday.
The trailblazing performer, choreographer
and teacher founded Winnipeg's Contemporary
Dancers ( WCD) in 1964 and its affiliated school
in 1972. She became an influential artist on a national
scale. She was endlessly supportive of each
new crop of young dancers as a mentor, Ballard
said, and had recently choreographed a trio for
graduating students.
" She was truly the grande dame," Ballard said.
" She made it her business to know all the dancers
in Winnipeg and be at all performances."
Browne's last onstage appearance was at age
75 in a multi- generational work by Ballard called
Homeagain .
She leaves behind daughters Ruth Asper, Miriam
Browne and Annette Browne and grandchildren
Daniel, Rebecca and Max Asper. Browne's
second husband, Ben Sokoloff, died in 2004.
On Sunday, Asper recalled her mother's chutzpah
and described her as still vibrant and youthful
in her dance work. " She was a force to be reckoned
with in all of her passions," Asper said. But
the family is mainly remembering Browne as a
wonderful mother and " baba," she said.
Browne was born Ray Minkoff in Philadelphia
in 1934 to Russian Jewish immigrants. A ballet
dancer from the age of six, she moved to New
York the day after she graduated from high school.
There was already a Ray Minkoff in the performers'
union, so she adopted the name Rachel.
When her mentor, Benjamin Harkarvy, was
hired to lead the Royal Winnipeg Ballet in 1957,
he brought Browne here as a dancer. She danced
with the RWB until 1961, but quit to raise a family
with her first husband, Don Browne. She later said
although she was deeply musical, she never had
the body type to be a ballet star.
She was unhappy as a housewife and couldn't
live without dance. In 1964, the feminist, pacifist
artist began to choreograph in a non- classical,
earthy style and formed Winnipeg's Contemporary
Dancers, Canada's first professional modern
troupe. She made many subsequent trips to New
York to study modern technique.
She was the unstoppable artistic director of
WCD for nearly 20 years.
In the early days, she toiled as the administrator,
fundraiser and publicist as well as the main
dancer and choreographer.
Browne demanded intense dedication. According
to Carol Anderson's 1999 biography of her,
Dancing Toward the Light , " She once chastised a
dancer for not showing up to rehearsal when the
young woman had been flat on her back for two
weeks with mononucleosis."
" She had more tenacity than anyone I've ever
met," said Ballard. " She had to have a will of iron
to do what she did."
At its peak in the mid- 1970s, WCD undertook extensive
tours, commissioned works from prominent
and emerging choreographers and had 1,000
subscribers.
In 1982, ugly internal conflict erupted and the
board of directors fired Browne. She was devastated
but forged a new career as a freelance choreographer
and teacher.
She created more than 80 works in total, many
dealing with women's experiences. Some of the
most acclaimed were The Woman I Am ( 1975),
In a Dark Time the Eye Begins to See ( 1987), Old
Times Now ( 1987), Mouvement ( 1992), Toward
Light ( 1995) and Edgelit ( 1998).
She was known for wearing runners and sweatpants
for almost every occasion. When she was
invested into the Order of Canada in 1997, her
daughters managed to convince her to wear elegant
trousers.
Browne's other honours included the 1995 Jean
A. Chalmers Award for Creativity in Dance, the
2000 Canada Council Jacqueline Lemieux Prize
and a lifetime achievement award from the Manitoba
Arts Council.
Her relationship with the company healed long
ago. In 2008, WCD renamed its performance venue
the Rachel Browne Theatre in tribute to her. A legacy
fund in her name raised $ 150,000.
" Her legacy is us - all of these dancers and
choreographers who have been blessed by knowing
her, dancing for her, being mentored by her...
We're all around the world now," said Brent Lott,
current artistic director of WCD.
Browne had intended to stay in Ottawa for the
entire Canada Dance Festival, where the WCD
company is to perform Lott's 97 Positions of the
Heart this Wednesday. The prestigious show will
go on, Lott said.
" She wouldn't have wanted it any other way."
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Summer Programming Grants program
supports local charities operating camps
for children and youth.
More than $ 270,000 was allocated this
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related camp expenses including
equipment, transportation, snacks, and
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Dance world's
' grande dame' left
a living legacy
By Alison Mayes OBITUARY
RACHEL BROWNE
Founded oldest contemporary dance company
ABOVE: Choreographers Rachel Browne ( seated)
and Stephanie Ballard with dancers in 2002.
TOP LEFT: Browne performs during an event
marking the naming of the
Rachel Browne Theatre in 2008.
RIGHT: Browne performs with Ron Holbrook in
True Believer in 1969.
WAYNE GLOWACKI / WINNIPEG FREE PRESS ARCHIVES
BORIS MINKEVICH / WINNIPEG FREE PRESS ARCHIVES
J. COLEMAN FLETCHER PHOTO
A_ 04_ Jun- 11- 12_ FP_ 01. indd A4 6/ 10/ 12 9: 03: 00 PM
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