Winnipeg Free Press (Newspaper) - January 27, 2015, Winnipeg, Manitoba
C M Y K PAGE C1
Series not worth investigating / D3
ARTS & LIFE
ARTS@ FREEPRESS. MB. CA I WINNIPEGFREEPRESS. COM I HOROSCOPE C4 I MISS LONELYHEARTS C4 I DIVERSIONS C7
TUESDAY, JANUARY 27, 2015 C 1
D ON'T call it a book club. Call it a
book- to- movie club.
Cinematheque's program From
Novel to Screen conjoins a book- club
premise - registered participants are
asked to read one of five novels ( plus
one short story) every month - with a
movie club addendum: The films based
on those six works are also viewed and
discussed.
Cinematheque programming coordinator
Dave Barber says he chose
the program with input from host
Alison Gillmor and University of
Manitoba film professor George Toles
with an eye for diversity and Canadian
content.
For example, the sixth film in the
series, Rachel Rachel , may be primarily
known as the directorial debut of
Paul Newman.
" Not as many people know the story
was set in Manitoba and it's an adaptation
of Margaret Laurence's A Jest of
God ," Barber says.
The topic of adaptations should be
fertile ground for book and movie
lovers alike. Hollywood history is
rich with stories of bestselling books
adapted to film, going back to the silent
era. The 1925 version of Ben- Hur
was an adaptation of a Lew Wallace
novel first published in 1880. The film
was remade in 1959 as an epic starring
Charlton Heston and another remake
is in the works for 2016, proving that
Hollywood can exploit a popular novel
indefinitely.
In Hollywood's Golden Age, the most
important novel to be translated to
film was Gone With the Wind , which
debuted in 1939, just three years after
the publication of Margaret Mitchell's
novel. Such was the popularity of the
book, everyone had an opinion on
the film's casting, but the consensus
of putting Clark Gable in the role of
Rhett Butler was so pervasive, it took
producer David O. Selznick two years
just to secure the actor for the role.
The novel- to- film phenomenon may
have peaked in 1972, when it seemed
each week saw a new movie based on
a book.
A partial list: Deliverance ; Cabaret
( inspired by Christopher Isherwood's
novel Goodbye to Berlin ); The Getaway ;
Slaughterhouse- Five ; Man of La
Mancha ; Fat City; Sounder ; The Other ;
Travels With My Aunt ; Trick Baby ;
Portnoy's Complaint ; Siddhartha ; The
Carey Treatment ; Tropic of Cancer;
and Play It As It Lays .
Towering above all those was The
Godfather , an enduring classic adapted
from the Mario Puzo bestseller by
Puzo himself and director Francis
Ford Coppola.
It may be said the brilliance of the
screenplay was in knowing what to
cut from the book and what to keep.
The film left in Michael Corleone's
transformation for straight arrow to
Mob boss, and the attendant treachery
of his Five Families Mob nemeses.
But it jettisoned extraneous stuff such
as Johnny Fontane's movie- singing
career resurgence, or the in- depth
gynecological issues faced by Sonny
Corleone's mistress, Lucy Mancini.
Knowing what to cut is a talent
worth having, according to novelist
Dennis Lehane, which is the reason
he has never adapted any of his own
novels - including Mystic River ,
Shutter Island and Gone Baby Gone
- to film.
" I don't know how to do it," Lehane
said in a recent interview in Toronto
publicizing The Drop , which Lehane
did adapt from his short story, Animal
Rescue .
" You have to cut out 89 per cent of a
novel," he says. " You don't cut out the
bone but you tend to cut out the meat,
but it's knowing what kind of meat to
cut out.
" And I have zero perspective on that.
So I never adapt my own novels and I
never will," he said. " It's way easier to
expand ( a short story)."
The novel- to- movie journey is far
less prevalent today, notwithstanding
the efforts of directors such as David
Fincher ( Gone Girl , The Girl with the
Dragon Tattoo ) and the successes of
the Harry Potter series, Peter Jackson's
ponderous adaptations of J. R. R.
Tolkien's books and the outsized box
office performance of the young- adulttargeted
Hunger Games series. These
days, the most prevalent book- to- movie
configuration encompasses comic
books.
It may be the novel- to- movie dynamic
is becoming obsolete, at least
according to Lehane.
" I think the equivalent of the short
story in the film world is film. The
equivalent of a novel is television,"
Lehane said, citing the series he
helped write, The Wire , as an ideal
medium for capturing both the novel's
narrative sprawl and its intricate
detail.
A few spots are still available for the
discussion groups. Call 204- 925- 3456
( ext. 106) to register.
randall. king@ freepress. mb. ca
RANDALL
KING
So it is written.
Cinematheque
program
explores
tricky business
of translating
novels into films
On the program
. Away From Her ( 2006), Wednesday
at 7 p. m. Sarah Polley's adaptation of
the Alice Munro short story The Bear
Came Over the Mountain, starring
Gordon Pinsent and Julie Christie.
. The Apprenticeship of Duddy Kravitz
( 1974), Wednesday, Feb. 25, at 7 p. m.
Richard Dreyfuss stars as Duddy, a
hyper- ambitious young capitalist on
the make in Montreal in this adaptation
of the novel by Mordecai Richler.
. Persuasion ( 1995), Wednesday,
March 25, at 7 p. m. Roger Michell's
adaptation of the Jane Austen novel
stars Amanda Root and Ciar�n Hinds.
. Crash ( 1996), Wednesday, April 29,
at 7 p. m. For the second time, director
David Cronenberg set about filming a
novel deemed unfilmable ( he had already
done Naked Lunch in 1991), this
time based on the novel by J. G. Ballard.
. High Fidelity ( 2000), Wednesday,
May 27, at 7 p. m. Director Stephen
Frears is a Brit and so is novelist Nick
Hornby, but this movie starring John
Cusack transplants the book's action
from London to Chicago.
. Rachel, Rachel ( 1968), Wednesday,
June 24, at 7 p. m. Joanne Woodward
stars in Paul Newman's directorial
debut, adapted from the novel A Jest of
God by Margaret Laurence.
JOIN THE CONVERSATION
What are some of your
favourite movies that
came from novels?
Go to winnipegfreepress. com
and add your comments
to the conversation
Event Preview
From Novel to Screen:
The Writer's Imagination
. Monthly from Jan. 28 to June 24
. Hosted by Alison Gillmor
. Tickets $ 9 per screening
Julie Christie and Gordon Pinsent in
Away From Her.
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