Winnipeg Free Press (Newspaper) - October 6, 2021, Winnipeg, Manitoba
C M Y K PAGE C2
● WINNIPEGFREEPRESS.COMC2 Wednesday, October 6, 2021
ALAN Kalter, the ginger-haired an-
nouncer and crooked straight man who
served as David Letterman’s sidekick
for two decades on CBS’ Late Show,
has died.
He was 78.
His wife, Peggy, confirmed his
Monday death at Stamford Hospital in
Connecticut to theHollywood Reporter.
A cause of death was not given.
Kalter took over as Late Show an-
nouncer in September 1995 after Bill
Wendell’s retirement and was there
until May 20, 2015, Letterman’s final
show. He not only announced the
guests and the host but also acted in
sketches and delivered a comic one-
liner after every show as the logo for
production company World Wide Pants
flashed across the screen.
“When our announcer of 15 years
Bill Wendell retired, producer Robert
Morton came to my office with an
audio tape containing auditions for
several announcers,” Letterman told
theNew York Daily News in an email.
“Alan’s was the first and only voice we
listened to. We knew he would be our
choice.”
His comic bits on Letterman includ-
ed Alan Kalter’s Celebrity Interview,
a show-within-a-show that resulted in
some hilariously awkward moments.
Letterman nicknamed his sidekick
with monikers such as “Big Red” or
“TV’s Uncle Jerry,” amplifying the
comic effect.
Former colleagues paid tribute to the
announcer and comic under the Twit-
ter hashtag “RIPAlanKalter” as the
news spread, with a favourite bit being
that time he went off on his boss with a
squirming Sarah Jessica Parker by his
side as Kalter launched an expletive-
laced takedown.
In a riff aboutDancing With the
Stars, Kalter spun literal comedic gold,
swathed in lame and twirling madly in
a faux failed bid to appear on the show.
“RIP Alan Kalter,” tweeted Letter-
man Show writer Bill Scheft along with
a clip of one of Kalter’s bits on Letter-
man. “A lovely man, and as my old boss
might say, a ‘perfect stooge….’ “
“Whatever else, we always had the
best announcer in television,” said Let-
terman, who now hostsMy Next Guest
Needs No Introduction on Netflix. “Did
I mention he could sing? Yes, he could.
He enthusiastically did it all. A very
sad day, but many great memories.”
—New York Daily New
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The Soyuz-2.1a rocket booster with Soyuz MS-19 space ship blasts off from Kazakhstan Tuesday carrying actor Yulia Peresild, film director Klim Shipenko and cosmonaut Anton Shkaplerov to
the International Space Station to make a feature film in orbit.
M OSCOW—ARussianactor and a film directorrocketed to space Tuesday
on amission tomake theworld’s first
movie in orbit, a project the Kremlin
saidwill help burnish the nation’s
space glory.
Actor Yulia Peresild and director
Klim Shipenko blasted off for the In-
ternational Space Station in a Russian
Soyuz spacecraft together with cos-
monaut Anton Shkaplerov, a veteran of
three space missions. Their Soyuz MS-
19 lifted off as scheduled at 3:55 a.m.
from the Russian space launch facility
in Baikonur, Kazakhstan and arrived at
the station after about 3 1/2 hours.
Shkaplerov took manual controls to
smoothly dock the spacecraft at the
space outpost after a glitch in an auto-
matic docking system.
The trio reported they were feel-
ing fine and spacecraft systems were
functioning normally.
Peresild and Klimenko are to film
segments of a new movie titled Chal-
lenge, in which a surgeon played by
Peresild rushes to the space station
to save a crew member who needs an
urgent operation in orbit. After 12 days
on the space outpost, they are set to
return to Earth with another Russian
cosmonaut.
Kremlin spokesman Dmitry Peskov
said the mission will help showcase
Russia’s space prowess.
“We have been pioneers in space
and maintained a confident position,”
Peskov said. “Such missions that help
advertise our achievements and space
exploration in general are great for the
country.”
Speaking at a pre-flight news confer-
ence Monday, 37-year-old Peresild ac-
knowledged that it was challenging for
her to adapt to the strict discipline and
rigorous demands during the training.
“It was psychologically, physically
and morally hard,” she said. “But I
think that once we achieve the goal, all
that will seem not so difficult and we
will remember it with a smile.”
Shipenko, 38, who has made several
commercially successful movies, also
described their fast-track, four-month
preparation for the flight as tough.
“Of course, we couldn’t make many
things at the first try, and sometimes
even at a third attempt, but it’s nor-
mal,” he said.
Shipenko, who will complete the
shooting on Earth after filming the
movie’s space episodes, said Shkaple-
rov and two other Russian cosmonauts
now on board the station — Oleg
Novitskiy and Pyotr Dubrov — will all
play parts in the new movie.
Russia’s state-controlled Channel
One television, which is involved in
making the movie, has extensively cov-
ered the crew training and the launch.
“I’m in shock. I still can’t imagine
that my mom is out there,” Peresild’s
daughter, Anna, said in televised
remarks minutes after the launch that
she watched teary-eyed.
Dmitry Rogozin, head of the Russian
state space corporation Roscosmos,
was a key force behind the project,
describing it as a chance to burnish the
nation’s space glory and rejecting criti-
cism from some Russian media.
“I expect the project to help draw
attention to our space program, to the
cosmonaut profession,” Rogozin told
reporters Tuesday. “We need a better
visualization of space research. Space
deserves being shown in a more profes-
sional, artful way.”
After congratulating the crew on a
successful docking, Rogozin said he
personally edited the film script to
properly reflect the realities of the
space flight.
“We describe some real emergencies
that may happen out there,” he said.
According to the script, the cosmonaut
character in the film needs an urgent
surgery after being hit by space debris.
Some commentators argued, howev-
er, that the film project would distract
the Russian crew and could be awk-
ward to film on the Russian segment of
the International Space Station, which
is considerably less spacious compared
to the U.S. segment. A new Russian lab
module, the Nauka, was added in July,
but it is yet to be fully integrated into
the station.
On the space station, the three new-
comers joined the station’s commander
Thomas Pesquet of the European Space
Agency; NASA astronauts Mark Vande
Hei, Shane Kimbrough and Megan
McArthur; Roscosmos cosmonauts No-
vitskiy and Dubrov; and Aki Hoshide
of the Japan Aerospace Exploration
Agency.
After the hatches between the Soyuz
and the station were opened, the trio
floated in, beaming smiles and ex-
changing hugs with the station’s crew.
“I feel like I’m dreaming,” Peresild
said during a brief televised hookup
with Mission Control in Moscow.
Shipenko echoed that feeling: “We
have been waiting for that for such a
long time, and indeed now we feel like
in a dream.”
Novitskiy, who will star as the ailing
cosmonaut in the movie, will take the
captain’s seat in a Soyuz capsule to
take the film crew back to Earth on
Oct. 17.
Before Russia took the lead in
feature filmmaking in space, NASA
had talked to actor Tom Cruise about
making a movie in orbit.
NASA confirmed last year that it
was in talks with Cruise about filming
on the International Space Station with
SpaceX providing the lift. In May 2020,
it was reported that Cruise was devel-
oping the project alongside director
Doug Liman, Elon Musk and NASA.
Last month, representatives for
SpaceX’s first privately chartered
flight said the actor took part in a
call with the four space tourists who
orbited more than 585 kilometres high.
Liman told the AP that he was ap-
proached for the “impossible” mission
by producer P. J. van Sandwijk who
asked him simply if he wanted to shoot
a movie in outer space. Details have
been largely kept under wraps and no
updates have been provided on the sta-
tus recently, but as of January Liman
said they were forging ahead.
“There’s just a lot of technical stuff
that we’re figuring out,” Liman said.
“It’s really exciting because when you
make a film with Tom Cruise, you have
to put stuff on the screen that no one’s
ever seen before.”
—The Associated Press
VLADIMIR ISACHENKOV
One small step forman,
a giant leap for
cinematography
ROSCOSMOS SPACE AGENCY / THE ASSOCIATED PRESS
Russian actor Yulia Peresild, left, film director Klim Shipenko, right, and cosmonaut Anton
Shkaplerov sit in the first row among other participants of the mission to the International
Space Station Tuesday. Peresild and Klim Shipenko rocketed to space Tuesday on amission to
make the world’s first movie in orbit.
Letterman sidekick remembered for comic versatility
THERESA BRAINE
ALAN KALTER
OBITUARY
Alan Kalter visits the Late ShowWith David
Letterman at the Ed Sullivan Theater on May
20, 2015, the date of Letterman’s last show.
PURGE ● FROMC1
In June, the museum’s president and
CEO, John Young, resigned early, open-
ing the door for a replacement.
Partnering organizations, including
the LGBT Purge Fund and Pride Win-
nipeg, were put in an awkward spot
and had to reconsider their relation-
ships with the museum. Pride Win-
nipeg cut ties in June 2020, and the
Purge Fund paused its work temporar-
ily.
“I was personally shattered to read
about the allegations made against the
CMHR,” Douglas said Tuesday. “So we
undertook a very serious, deliberate ef-
fort to consider what it would take for
us to re-engage and reconcile.”
In August 2020, human rights lawyer
Isha Khan was named as Young’s
replacement, though she applied to
the post in the winter, long before the
museum faced public scrutiny. The for-
mer executive director of the Manitoba
Human Rights Commission was tasked
with righting the ship, and implement-
ing the recommendations made in
Harris’s report.
On her first day, Khan phoned Doug-
las to tell her she knew the challenges
ahead and was ready to meet them,
wanting to get started as soon as pos-
sible. “That was important to us,” said
Douglas. “We considered it a very good
sign.”
Conversations continued with the
museum’s new senior leadership,
as well as with museum staff, said
Douglas, and soon, the fund reached a
consensus that it could recommence
the relationship and move forward on
the exhibit and other educational op-
portunities. A second report compiled
by Harris was released last June,
highlighting progress in certain areas
of equity and diversity as well as per-
sisting concerns over discrimination,
accountability and representation.
“I think we’re making progress,”
Khan told the Free Press in June. “I
think we’re making change and it
takes time, and I knew that it would
take time but I’m certainly not doing
it alone. I’m doing it with a whole team
of people, so the work for us is making
sure everyone takes responsibility and
everyone sees themselves in the work.”
Douglas said her organization also
hired an independent consultant to
gauge community concerns, and
drafted a letter to the institution high-
lighting areas of concern.
“We wanted to see a plan for the ex-
hibit to be inclusive and for any council
to reflect a diverse and inclusive mem-
bership, and I think they’ve done just
that,” Douglas said.
The 19-member body features
10 survivors of the Purge, Douglas
included, plus academics, elders, legal
scholars, historians, and educators.
Co-chairs are CMHR vice-president
of external relations and community
engagement, Riva Harrison, and Doug-
las Elliot, an LGBT Purge Fund board
member and the lead lawyer of the
class action. Local members include U
of M history professor David Churchill
and two-spirit elder Albert McLeod.
Harrison, who joined the museum
earlier this year, said a lot of work
has been going on to make amends
over the past year, and the council is
one part of it. “I think when it comes
to what happened at the museum, we
have to accept responsibility for our
failings and acknowledge what went
on. That includes apologizing, reaching
out, having conversations about what
can be done better,” she said, adding
that the museum has boosted diversity
hiring, set up a rainbow equity council,
and implemented many of the recom-
mendations.
“It’s about saying never again to
the things that happened,” she said. “I
think we are working together on an
extremely important project, but we
still have trust to build.. We still have
work to do and we’re honoured to be
able to do it.”
In the coming years, the council will
use lived experience as a basis for the
work museum staff do in developing
curatorial and educational materials,
an action Douglas said is needed to
rebuild trust. By 2024, an exhibition on
the Purge will open in the museum’s
Level 1 gallery, previously the site of
the well-received Mandela: Struggle
for Freedom exhibition.
Ultimately, she said, this work is
vital in not only educating Canadians
about the discrimination faced histori-
cally by members of the LGBTTQ+
community, but today, in many fields
and in different ways.
“We know as victims of the purge
that many of our neighbours, friends
and people across the country don’t
know these stories,” she said. “But we
think they must.”
ben.waldman@freepress.mb.ca
Michelle Douglas takes part in the Purge
Legal Settlement Approval Hearing held
in Federal Court at the Supreme Court of
Canada building in July 2018.
C_02_Oct-06-21_FP_01.indd 2 2021-10-05 6:41 PM
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