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THURSDAY, SEPTEMBER 18, 2025
From intimate chamber works to larger-than-life operas, fall season has lots in store
Ten noteworthy concerts on classical calendar
W
ELCOME to your brand-new arts season! Winnipeg
is well known for punching above its weight in
world-class performances, and this year proves no
exception.
Here is a list of 10 concerts that have caught my eye from
now until the snow flies, listed (mostly) in chronological order:
1) The Winnipeg Symphony Orchestra launches its next
chapter under new concertmaster Karl Stobbe. A pair of
back-to-back concerts, Volodin Plays Shostakovich, led by
Daniel Raiskin, features internationally acclaimed violinist
Alexei Volodin performing two different works by the Sovi-
et-era composer on Saturday, Sept 27, 7:30 p.m., and Sunday,
Sept. 28, 2 p.m. For more details, see wso.ca.
2) If you still need more (and who wouldn’t?), the Women’s
Musical Club of Winnipeg also showcases the virtuoso in a
solo recital at the Desautels Concert Hall on Thursday, Sept.
25, at 7:30 p.m. Visit wmcwpg.ca.
3) Next up on WMC’s playlist is Fierbois, an intimate cham-
ber concert co-presented with Prairie Debut, featuring obo-
ist Caitlin Broms-Jacobs with collaborative pianist Madeline
Hildebrand at the Laudamus Auditorium, Oct. 26, 2 p.m.
4) Manitoba has long been hailed as the “singing province,”
and this year’s bumper crop of stirring choral concerts
contributes to that well-deserved reputation. The Winni-
peg Singers led by Yuri Klaz performs a celestial-inspired
program, Skyscapes, under a starry night sky at Manitoba
Museum’s Planetarium on Sunday, Oct. 5, at 7 p.m. See win-
nipegsingers.com.
5) The Manitoba Chamber Orchestra, under the baton of
Anne Manson, kicks off its 2025/26 season with another
superstar violinist, Canada’s own Kerson Leong, on Wednes-
day, Oct. 8, at 7:30 p.m. at the Crescent Arts Centre. Lauded
by Le Monde for his “mixture of spontaneity and mastery,
elegance, fantasy (and) intensity,” the opening program,
titled Seasons Ascending, features the dynamo in Max
Richter’s Seasons Recomposed, an arresting, contemporary
mash-up of Vivaldi’s The Four Seasons. Seem themco.ca.
6) Cello lovers, rejoice! Agassiz Chamber Music Festival
presents its third International Cello Festival including five
nightly concerts that run Oct. 28-Nov. 1 at various locales
(see sidebar). Inter-
nationally acclaimed
artists include Colin
Carr, Bryan Cheng,
Cameron Crozman,
David Liam Rob-
erts, Juliana Moroz
and Denise Djokic,
among many others.
Don’t miss the grand
finale co-presented
with the WSO, in-
cluding an 80-mem-
ber cello choir that
closes the festival
with a bang on Sat-
urday, Nov. 1, at 7:30
p.m. Check out www.
agassizfestival.com/
international-cel-
lo-festival-of-canada
7) Included with the fest is Dead of Winter’s The Ocean in a
Drop. The vocal group founded by composer/conductor An-
drew Balfour performs a soulful program of medieval and
contemporary works on Wednesday, Oct. 29, 7:30 p.m., at the
Desautels Concert Hall. Visit: deadofwinter.ca.
8) The venerable Winnipeg Philharmonic Choir — also led
by Klaz — is celebrating its 103rd anniversary, bringing joy
to the world with this year’s festive concert, Let there be
Peace, taking place at the Crescent Arts Centre, with two
HOLLY HARRIS
Hello, cello
FOR five glorious days and nights this fall, music lovers will be treated
to some of the finest cellists in the world as Agassiz Chamber Music
Festival presents its third International Cello Festival.
The event (Oct. 28-Nov. 1 at a variety of local venues) features
nightly chamber concerts, master classes, “cello chats” and even a
“cello intervention,” as string players pop up in cafés, community cen-
tres and other surprise locations at the stroke of noon for impromptu
concerts.
“We’ve got some fantastic artists coming this year,” artistic director/
cellist Paul Marleyn promises over the telephone from his Ottawa
home, with an A-list of musicians hailing from Canada to Colombia,
Germany to the U.K. Two previous iterations of the event — originally
birthed as a legacy event honouring Winnipeg being named the
“cultural capital of Canada” — were offered in 2014 and 2011,
One sweet treat — literally — will be a series of early morning
Bach Cafés, at which patrons can feast on coffee and croissants before
digesting all six Bach solo cello suites performed by various artists.
One highlight Marleyn is particularly looking forward to is Two
Cellos, Two Worlds: Beyond the Classics (Oct 28). The program
features Canadian virtuoso Raphael Weinroth-Browne and Austrian
cellist-composer Matthias Bartolomey melding rock, jazz and world
music influences with classical tradition.
“Raphael is one of the most exciting young cellists worldwide,” Mar-
leyn says. “He’s a very creative guy who just lives and breathes music.
Matthias is also a fantastic composer.”
Classical musicians swing hard with the Winnipeg Jazz Orchestra
in I’ve Got the World on a String (Oct 30), a dynamic program that
includes Gershwin’s iconic Rhapsody in Blue, among others.
A Halloween Special: Wood-Shredding Cellists (Oct 31) spans Beethov-
en to the Beatles, and includes a world première by Canadian composer
Karen Sunabacka, who draws on her Métis and mixed European heritage
for her latest creation.
A second Sunabacka work will be heard during A Métis Celebration
(Oct. 30), which also spotlights Métis cellist David Liam Roberts and
elder Norman Meade. The icing on the cake will be toe-tapping tunes
courtesy of Manitoba-born champion fiddler Jane Cory.
The festival is bookended by the city’s two larger-scale orchestras:
the first show, Opening Gala Concert: Between Earth and Sky, show-
cases cellists Denise Djokic, Inbal Segev, Matthias Bartolomey, San-
tiago Cañón-Valencia, Colin Carr and Cameron Crozman performing
with the Manitoba Chamber Orchestra (Oct 28); and the second,
Gala Finale: For Rita (Nov. 1), features Djokic, Cheng and Gerhardt
appearing with the WSO alongside an 80-member cello orchestra.
The powerful program, including works by Villa-Lobos and Strauss,
is being dedicated to late Agassiz president and legendary Winnipeg
arts leader Rita Menzies, who spearheaded the first two international
cello festivals.
“Rita made a massive contribution over decades to Winnipeg’s arts
community,” Marleyn says of the beloved icon, who died in June.
“We’ll definitely be doing more to honour her legacy in the future.”
— Holly Harris
MARK RASH PHOTO
Juliana Moroz is part of the International
Cello Festival this fall.
Cameron Crozman
MARK RASH PHOTOS
Kerson Leong
Bryan Cheng
shows offered on Sunday, Dec. 14, at 3 p.m. and 7 p.m. More
details can be found at thephil.ca/concerts.
9) In the wake of COVID-19, comedies sprang out of the rav-
aged arts landscape as a salve for pandemic-weary spirits,
with arts groups around the globe now daring to program
darker, more gripping works. Manitoba Opera is among
them, with its season-opener, Tosca. The Puccini work about
a famous, fiery singer who lives and dies for love shows Nov.
22, 26 and 28 at the Centennial Concert Hall. This season
also marks current interim artistic director Larry Des-
rochers’s final season after 25 years at the helm as general
manager and CEO. For more info, visit mbopera.ca.
10) In the so-cool-it-hurts category is GroundSwell’s North/
South, a contemporary program being held at the Winnipeg
Art Gallery/Qaumajuq on Tuesday, Nov. 25, at 7 p.m., featur-
ing throat songs by Nikki Komaksiutiksak and Caramello
Swan. The program also includes group improvisations in-
spired by the Inuit artwork on display in the gallery’s Main
Hall. More details? See gswell.ca.
This is only the tip of the iceberg, so get out there and
enjoy live music — the arts are waiting for you!
holly.harris@shaw.ca
ARTS ● LIFE I MUSIC
MUSIC MATTERS
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