Winnipeg Free Press (Newspaper) - October 20, 2025, Winnipeg, Manitoba
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TANK
COMMENT EDITOR: RUSSELL WANGERSKY 204-697-7269 ● RUSSELL.WANGERSKY@WINNIPEGFREEPRESS.COM
A7 MONDAY OCTOBER 20, 2025
Ideas, Issues, Insights
An opportunity — if Canada Post chooses to take it
A
FTER 158 years, it appears that Canada
Post will finally be ending door-to-door mail
delivery. With financial pressures intensify-
ing, the federal government recently announced
that it will allow a full-scale shift to community
mailboxes.
Most suburban neighbourhoods have been using
remotely located boxes for several years, but cen-
tral and pre-1970s residential areas in Canada’s
largest cities have retained delivery service until
now. The nearly five million remaining house-
holds to be transitioned are located in the oldest
and highest-density neighbourhoods in the coun-
try, which may create some important logistical
challenges to the transition.
Higher residential densities will result in com-
munity mailboxes being far more ubiquitous than
they currently are in low-density suburbs. Winni-
peg’s River Heights or Wolseley neighbourhoods,
as an example, have between 50 and 60 homes
on each block. Implementing the current Canada
Post design would result in a community box
roughly the length and height of a Honda Civic
parked on the boulevard of every single block on
every street in the neighbourhood. Areas like Os-
borne or the West End, where densities are more
than double that of River Heights, will see even
greater impact. The Toronto Star reported that
as many as 11,000 community box hubs will be
needed to replace home delivery in that city. The
pervasive nature of these large metal boxes will
undeniably alter the image and physical charac-
ter of many historic and inner-city communities
across the country.
The density and compactness of older neigh-
bourhoods will also create functional challenges,
as they often lack the wide boulevards and open
areas found in suburbs to accommodate large
mailbox installations. They will inevitably eat into
already precious public space and make mainte-
nance issues like sidewalk snow-clearing more
costly and challenging than it already is. This
could further exacerbate accessibility and safety
issues in a city that already averages more than
10 people per day visiting the hospital to treat
injuries from falling on snow and ice during the
winter.
With such little public space, these mail hubs
will inevitably be located close to homes, which
may create a loss of privacy, increased traffic,
noise and garbage. They can also impact driver
visibility and be a magnet for vandalism and theft
in inner-city areas.
This intervention into the landscape of urban
neighbourhoods across the country will be an
unprecedented challenge, but if we are thought-
ful and creative, it might be an unprecedented
opportunity.
Attractive and dynamic neighbourhoods value
the quality of the human-scale elements we inter-
act with every day. The fine-grained texture of
paving patterns, the rhythm of storefronts, light
standards, boulevard trees, benches, planters and
sidewalks, all work together to establish neigh-
bourhood character and create walkable, safe and
cohesive communities.
The installation of community mailboxes might
be seen as an opportunity to create a new type of
street furniture that is beautiful and meaningful,
weaving itself into this neighbourhood tapestry. If
allowed to dream, the opportunities are limitless.
What if instead of simply rolling out the same
utilitarian metal boxes across the country, local
artistic communities were engaged to design
mailboxes that respond to unique site conditions,
create a sense of place, and tell a story about
the people who will use them? A well-publicized
national design competition or a series of local
workshops might capture the imagination of the
country.
Collaborative community engagement may
uncover creative new ideas, respond to local tradi-
tion and identify unique social, cultural, physical
and climatic opportunities. Designers might be
given modular components and a practical design
framework that allows the creation of functional,
cost-effective solutions with regional variation
and local expression of creativity and storytell-
ing.
Where possible, these kiosks could be treated as
small-scale nodes that encourage social connec-
tion, not unlike the traditional small-town post
office. They might include Wi-Fi hotspots, space
for posters and advertising, newspaper boxes,
benches, people-and-pet-friendly water fountains,
shade canopies or bicycle maintenance tools. With
an understanding of local dynamics and mobility
patterns, kiosks could be strategically located
to increase foot traffic to neighbourhood shops.
Small seating areas or space for buskers might be
incorporated to encourage pedestrian traffic to
linger and support local businesses.
Imagine the impact on local communities if the
transition is approached as the world’s largest
installation of functional public art, a series of
beautifully designed objects peppered through
the landscape of every Canadian city, with a
micro-plaza and engaging urban sculpture dis-
pensing mail on every corner. With a creative and
holistic vision that reaches beyond mail delivery,
these new mailboxes might become a unique and
positive contribution to modern city life.
The transition to community mailboxes is set
to save Canada Post $400 million per year. Could
part of that money be invested in our neighbour-
hoods to reach beyond the typical tin box bolted
to a concrete pad? Our cities are a reflection of
who we are, and as Canadians we should demand
creative thinking and quality design in our shared
public spaces.
Canada Post’s move to introduce community
mailboxes in urban areas offers a valuable op-
portunity to respond ambitiously and creatively,
taking a difficult challenge and turning it into
a lasting, positive investment in our communi-
ties. We can either treat it as a simple logistical
change, or as an opportunity to create an identifi-
ably Canadian example of thoughtful, design-led
urban transformation.
By approaching the change with a progressive
mindset and committing to excellence in design,
placemaking and community building, this vast
new network of tiny, beautiful public spaces,
woven into the urban fabric of Canadian cities,
has the potential to invigorate social, cultural and
physical connections within our neighbourhoods.
If done successfully, it could set a visionary ex-
ample for cities around the world to follow.
Brent Bellamy is creative director at Number Ten Architectural Group.
The right time to reflect on precarious employment
THE University of Winnipeg has a dirty secret
the administration doesn’t want you to know: in
any given term, half of the university’s students
are taught by poorly paid contract academic
staff with no benefits and no job security. These
professors are fully qualified and experienced,
with doctorates, graduate degrees and terminal
degrees who also write, research and publish, yet
we have to apply for each of our courses every
year, and often every term.
This week is Fair Employment Week, giving
us the opportunity to recognize the valuable
contributions of contract staff at universities
and colleges all across Canada, who are among
the worst-paid employees. Let me be clear: I love
teaching, and for 13 years I’ve taught a full sched-
ule of courses at the University of Winnipeg, often
teaching 10 classes per year to make a living
wage (which ironically leaves little time to live).
The University of Winnipeg is not alone. Ses-
sional instructors at the University of Manitoba
also teach a large percentage of the courses and
students and are poorly paid and have no access
to benefits or job security. Other universities —
such as the University of Calgary — not only offer
contract staff benefits and job security, but also
access to research and travel funds.
If you’re wondering who teaches the rest of the
students at the University of Winnipeg, many are
taught by professors known as regular academic
staff, who — in exchange for teaching several
courses, advising and being on committees —
receive excellent salaries, full pensions, a full
suite of benefits, access to university research
funding, tenure (job security) and a full suite of
leaves available, from academic to maternity, and
much more.
Regular academic staff can also take a paid
term off every three years or a full year off every
six years, while contract staff may unceremoni-
ously apply for unpaid leave at any time. Regular
staff also have a budget for computers and office
supplies, and a well-appointed office assigned to
them. Contract staff have no budget or access to
university computers — even if they are teaching
online courses — and it’s not unusual for six con-
tract staffers to share a single communal office.
These communal offices are an embarrassment
and a systemic issue at The University of Win-
nipeg across nearly all departments. They are
where old office furniture, printers and comput-
ers go to die; we’ve had a faculty member store
all his office belongings in our communal office
while on leave, and just the other day, one con-
tract staffer joked to me that the communal office
is where he goes to die.
Most members of the university community em-
pathize with and support contract staff, but most
students are unaware of the disparity. Some con-
tract staff have to deal with uncaring department
chairs who play games with their job applications
and teaching evaluations, and who schedule
contract staff out of courses they’ve earned the
right to teach. We have deans and administrators
cancelling courses of popular contract staff in
attempts to fill less popular, highly paid regular
academic staff courses.
The fact is, contract staff often don’t know if or
what they’re teaching until a month or less before
a term begins. This creates immense anxiety
every term for most contract staff.
When facing budget cuts, most companies in
the private sector and many universities look at
reducing the number of highly paid, low-contrib-
uting employees, but the University of Winnipeg
instead picks the pockets of its students most
in need (teaching assistants and international
students) and its most precarious employees,
contract academic staff. Last year, the adminis-
tration cancelled and/or reduced all TA marking
hours — seriously affecting students and contract
staff — and in a grand move of solidarity, they
also cancelled all department lunches.
This year, contract staff budgets have been
slashed and contract courses cancelled to cover
the university’s financial woes, blamed in part
on the federal government, but contract staff are
paying for the financial mismanagement of the
university and its reliance on over-charging inter-
national students — effectively monetizing them.
Having been an international student myself, I’ve
lived through the money grab, paying five times
what my fellow students paid for tuition.
I agree with the Canadian Association of
University Teachers’ assessment that this was
never a financially sustainable model, and seeing
international students “simply as revenue streams
to make up for stagnating and falling public fund-
ing” is a major problem, not a solution.
This Fair Employment Week, please take a
moment to consider contract staff, sessional
instructors, adjunct faculty and all precarious
employees like us: those without financial and job
security, who often have to borrow to make ends
meet. We’re not asking for the world, just some
fairness within it.
James Scoles is a contract academic staff representative on the
University of Winnipeg Faculty Association (Union) Council. He teaches
creative writing and literature courses.
It takes two
to do good
business
DEAR insurance company, I want to pay my
bill.
After more than a week of calling three
different customer service numbers, the
refrain: “All circuits are busy at this time.
Please hang up and call again later,” is in-
scribed on my brain.
After a full week of being locked out
online and failing to get through by phone,
I wrote a letter to media relations at the
company.
“Please,” I wrote, “let me pay my bill so
I don’t have to write about this incredibly
frustrating situation.” I do realize, of course,
that it’s not the U.S. insurance company’s
fault that Canada Post went on strike, but
even when it’s not on strike, it can take
weeks for a cheque to arrive.
Yes, the advent of online apps can make
paying one’s bill cheaper and easier and re-
duce waste. However, we’ve resisted them in
our household because getting the physical
bill means it sits on the hall table. My part-
ner and I both can see it. With online apps, it
can be almost impossible for a spouse to do
the payment or help.
In the best of times, we are all individually
responsible for our bills and responsibilities,
but let’s be honest. Part of the reason we
gather in couples and families is to reduce
administrative burden. One person cooks
dinner, and then the other can figure out the
bill payment. This can be onerous across
international borders, even without a postal
strike.
After writing my letter, or perhaps be-
cause I contacted their social media account,
I was sent a top-secret confidential corre-
spondence. It took several tries to open.
I needed another dang password, plus
security questions, like “What was the first
R-rated movie you saw?” “What was the
make of your second car?” or “What’s the
middle name of your youngest child?” I was
absolutely flummoxed. I cannot remember
which R-rated movies I was shown too early
in life. What if you have twins or are child-
less? The questions were intrusive.
Finally, I broke the top-secret code and
read the letter, which gave me the name and
phone number of an actual person to contact.
I have now tried to call that person three
times. I only get voicemail.
Some companies just don’t want our busi-
ness.
Close to home, I remembered interac-
tions I have in shops. Sometimes, I try to
do positive business with unsmiling clerks
who seem unwilling to build relationships
or care. I’m not looking for a lifelong best
friend. I’m trying to give somebody money
and have a pleasant exchange, but this takes
two. Are my expectations unreasonable?
Recent research indicates that micro-rela-
tionships with strangers, those small social
exchanges we may have on the street or in
shops, are good for our health. It reduces
loneliness, builds community connection,
and boosts public safety.
To do this, we need the other person to
exist. Recent changes to customer service
models mean that we interact only with
online apps assisted by AI, and even when
we need to reach an employee to solve a
problem, that might fail, as shown by my in-
surance company issues. Second, if we reach
a person, they need to be receptive. I’m not
suggesting fake smiles or endearments, but
simply a sign that we both recognize and
acknowledge each other’s existence.
It could only be beneficial for a corpo-
ration or a small business to choose this
approach. It makes more money. It also
improves employee and customer satisfac-
tion, well-being and health. It might even
bring others joy or connection, but only if we
choose to do it.
The big corporation might say, “we must
protect against fraud! We must do cost-cut-
ting!” I too would like to avoid international
money laundering or unnecessary bureau-
cracy, but making it this difficult to pay
one’s life insurance premium means some-
thing has gone seriously wrong.
Our society’s increasing emphasis on
automation, AI, and cost cutting means we’ll
only be facing more of this. In a world full
of grocery self-checkout, self-driving cars
and financial apps, we reduce chances to in-
teract or problem solve with actual humans.
Yet, our bodies and brains were designed to
flourish with precisely this interaction. We
should make time for these small, positive
social exchanges, particularly at a neigh-
bourhood store. There’s no downside to
these micro-moment, positive encounters. It
boosts every kind of bottom line, but it also
still takes two to have even one micro-rela-
tionship.
Joanne Seiff, a Winnipeg author, has been contributing
opinions and analysis to the Free Press since 2009.
JOANNE SEIFF
JAMES SCOLES
BRENT BELLAMY
Canada Post has an opportunity to improve on the plain boxes of community mailbox installation
BRENT BELLAMY
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