Winnipeg Free Press (Newspaper) - October 30, 2025, Winnipeg, Manitoba
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WINNIPEGFREEPRESS.COM ●
C3
THURSDAY, OCTOBER 30, 2025
Counting on fans for countdown to 60th Festival du Voyageur
F
ESTIVAL du Voyageur is seeking
memories and memorabilia to
help celebrate an upcoming mile-
stone anniversary.
Organizers are looking for donations
of vintage photos, programs, merch
and other items of interest to be dis-
played during the francophone winter
festival’s 60th birthday in 2029.
It’s a project that started at this
year’s festival with the debut of L’shed
à Léo, a gallery of archival ephemera
onsite at Voyageur Park.
“We went through our basement at
the festival office and found a bunch of
cool stuff,” says Colin Mackie, director
of the festival’s heritage and education
programs.
“It really struck a chord with our
visitors and longtime volunteers and
people involved in the community.”
Anything and everything is on the
table, from vinyl records to medals
from festival-sponsored sporting
events to branded T-shirts.
Fitting donations will also be shared
in themed L’shed displays over the
next three festivals leading up to the
anniversary.
Next year’s gallery will focus on
Festival du Voyageur-related art, in-
cluding music, dance, snow sculptures
and crafts; while the 2027 and 2028
iterations will focus on heritage and
community, respectively.
In his role, Mackie typically focuses
on educating the public and school
groups on Voyageur, Indigenous and
Franco-Manitoban history. He’s looking
forward to turning that focus inward
and celebrating the founders, volun-
teers and supporters of the long-run-
ning festival through the displays and
an accompanying oral history project.
“The festival is getting kind of his-
toric as well. We have people who have
been building Voyageur Park for 25, 30
years and their perspectives are equal-
ly important to anyone who’s worn a
suit and stood in front of a camera,”
Mackie says.
Donors can drop off their wares at
Festival du Voyageur’s main office at
233 Provencher Blvd. and will be asked
to fill out a questionnaire for archiving
purposes.
The organization is unable to accept
loans of items, except in special cir-
cumstances.
The 2026 festival takes place Feb. 13
to 22 at Whittier Park. Visit heho.ca for
more information.
eva.wasney@winnipegfreepress.com
EVA WASNEY
SUPPLIED
The 2025 display of Festival du Voyageur memorabilia was the start of L’shed à Léo.
SUPPLIED
The colleciton ‘struck a chord with our
visitors and longtime volunteers.’
ARTS ● LIFE I ENTERTAINMENT
FortWhyte’s visitor centre
recognized with award for
sustainable construction
FORTWHYTE Alive’s new Buffalo Crossing visitor centre
has thundered past nearly 1,000 submissions to win the
prestigious Holcim Foundation Awards.
Opened in April, the 18,000-square-foot facility strong on
mass timber and reclaimed materials is one of 20 designs
across the world recognized by the awards for sustainable
construction.
Elegantly evoking a stampede of buffalo moving across
FortWhyte’s 660 acres of tall-grass and bison prairie
toward Muir Lake, the visitor centre means that Fort-
Whyte now has two facilities to accommodate ever growing
demand for its programming.
FortWhyte also has $40,000 coming its way, with another
possible $40,000 if it’s selected by the Holcim Foundation
as the grand prize winner for North America.
The awards celebrate spaces “that embody values (and)
reflect the kind of future we want to live in,” said Liz
Wilson, FortWhyte CEO and board president, at a press
conference Tuesday.
“That’s why this award means so much to us — because
Buffalo Crossing was always much more than just a build-
ing.”
The new facility, the full name of which is the FortWhyte
Alive Buffalo Crossing Paul Albrechtsen visitor centre,
is Manitoba’s very first commercial building to attain the
coveted passive house standard, according to Ian Barnett,
vice-president at FortWhyte Alive.
This means, among other things, it uses up to 90 per
cent less energy than conventional buildings, constructed
according to the National Energy Code.
What energy it does burn includes minimal greenhouse
gases, with Buffalo Crossing having zero net carbon emis-
sions over a year of operation, as recognized by Canada
Green Building Council.
While the centre is a feather in FortWhyte’s cap, Barnett
says this is all part and parcel of its mandate.
“Our mission is to create awareness and connections to
the natural world, and that hopefully leads to day-to-day
actions in people’s lives that lead to more sustainable living
choices,” he says.
“And obviously we want to blend in and be complementa-
ry to the natural surroundings that we have here as well.”
From birdwatching, canoeing, cross-country, hiking and
cycling to summer camps and educational presentations,
FortWhyte offers a refuge from urban life within city
limits, and is also a popular rental facility, Barnett says,
adding Buffalo Crossing serves growing demand for such
programming.
“We felt the need to expand … to accommodate the
growth that we’ve seen over the last 10 years or so, and
especially during the pandemic, when people really wanted
to get outside,” he says.
The Buffalo Crossing visitor centre — which was devel-
oped through $12.4 million in federal funding, $3.37 million
in provincial funding, with additional support from private
and corporate sponsors — is part of FortWhyte’s ongoing
Your True Nature drive. The $40-million capital campaign
includes six planned initiatives.
conrad.sweatman@freepress.mb.ca
CONRAD SWEATMAN
CELLO FESTIVAL ● FROM C1
There are certain moments in live performance,
if one is lucky, when all perceived lines between
artist (and the requisite ego that comes with being
a world-renowned soloist) and physical instrument
simply evaporate, as “music” itself takes over to
create pure, metaphysical magic.
Carr’s deeply felt performance created this sense
of suspended wonder, particularly during his Adagio,
in which his sustained tone bled into the cello theme
and orchestral fabric.
His Allegro molto exhibited sunny, good-natured
spirits, with a few minor intonation issues quickly
forgiven, leading to an exuberant close and an equal-
ly boisterous standing ovation by the mixed-ages
crowd.
The evening’s only flaw was, ironically, hearing
nearly two solid hours of cello concertos. As won-
derful as they are, the overly homogeneous program
saturated listeners with the same genre of music.
A few more varied solos with orchestra, such as
Crozman’s selections, would have provided greater
contrast. The program could also easily have been
whittled down by 30 minutes and featured fewer
musicians; there’s an entire week of concerts still to
come in which everyone is given their turn to shine.
Still, despite these quibbles, it’s hard to complain
when presented with a galaxy of cello stars on a
single night.
holly.harris@shaw.ca
;